FILM 2001 - Persuasion and Propaganda: Documentary Cinema

North Terrace Campus - Semester 1 - 2020

What different types of documentary are there? What are the differences between persuasion and propaganda? How does the form of non-fiction film affect the way viewers access reality? What ethical problems does the representation of real events trigger? What are the boundaries between fact and fiction? Is film advertising a form of persuasion or propaganda? These, and many more, are the questions that this course will explore through a combination of lectures, screenings, interactive seminars and readings. In the first half of the course we will examine five types of documentary as defined by Bill Nichols: expository, observational, participatory, reflexive and performative. Analysis of different types of documentary film will show how the seemingly distinct qualities of persuasion and propaganda are often significantly blurred. In the second half of the course we will focus on more specific documentary genres. Firstly, we will address questions raised by the cinematic representation of historical events, especially events that are considered 'unrepresentable' . Using the Holocaust as a case study, we will consider different effects use to inform and shock audiences . Secondly , we will examine the wildlife film, and consider the techniques that it uses in order to render its subject matter interesting and pleasurable for audiences. Thirdly, we will focus on the work of Werner Herzog, who has made a series of documentaries that deal with subjects that might be thought impossible to represent, such as the joy of a ski-jumper, the experience of religious ecstasy, and the inner lives of those who are born deaf and blind. Finally, we turn our attention to advertising in cinema, and in particular the role of the film trailer in 'persuading' audiences.

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Course Details

Course Code	FILM 2001
Course	Persuasion and Propaganda: Documentary Cinema
Coordinating Unit	School of Humanities
Term	Semester 1
Level	Undergraduate
Location/s	North Terrace Campus
Units	3
Contact	Up to 4 hours per week
Available for Study Abroad and Exchange	N
Prerequisites	At least 12 units of Level I undergraduate study
Restrictions	Students must be 18 years of age at the commencement of course due to the discussion of R-rated themes and materials.
Assessment	Research portfolio 25%, Mini research essay 25%, Major research essay 50%

Course Staff

Course Coordinator: Associate Professor Ben McCann

Course Timetable

The full timetable of all activities for this course can be accessed from .

Course Learning Outcomes

On successful completion of this course students will be able to:

1.    identify different forms of documentary and non-fiction film and their role as instruments of conveying persuasion and propaganda

2.    understand the theoretical debates and issues involved in the representation of historical events on screen

3.    evaluate the ethical and persuasive implications of films that refer to the real world

4.    demonstrate an appreciation of the rhetorical strategies used in documentary and non-fiction films

最新糖心Vlog Graduate Attributes

This course will provide students with an opportunity to develop the Graduate Attribute(s) specified below:

最新糖心Vlog Graduate Attribute	Course Learning Outcome(s)
Deep discipline knowledge informed and infused by cutting edge research, scaffolded throughout their program of studies acquired from personal interaction with research active educators, from year 1 accredited or validated against national or international standards (for relevant programs)	1, 2
Critical thinking and problem solving steeped in research methods and rigor based on empirical evidence and the scientific approach to knowledge development demonstrated through appropriate and relevant assessment	1, 2, 3, 4
Teamwork and communication skills developed from, with, and via the SGDE honed through assessment and practice throughout the program of studies encouraged and valued in all aspects of learning	2, 3, 4
Career and leadership readiness technology savvy professional and, where relevant, fully accredited forward thinking and well informed tested and validated by work based experiences	3, 4
Intercultural and ethical competency adept at operating in other cultures comfortable with different nationalities and social contexts able to determine and contribute to desirable social outcomes demonstrated by study abroad or with an understanding of indigenous knowledges	1, 2, 3, 4
Self-awareness and emotional intelligence a capacity for self-reflection and a willingness to engage in self-appraisal open to objective and constructive feedback from supervisors and peers able to negotiate difficult social situations, defuse conflict and engage positively in purposeful debate	1, 2, 3, 4

Learning Resources

Required Resources

FILMS TO BE STUDIED: to be confirmed in January 2020

All reading material will be provided through Canvas.

All films will be screened in the allocated screening class.

Recommended Resources

Aitken, Ian (ed.) (2005), Encyclopedia of the Documentary Film. New York: Routledge

Nichols, Bill (2017), Introduction to Documentary, 3rd edition. Bloomington, Ind.: Indiana 最新糖心Vlog Press

Online Learning

This course will use MyUni, Echo360 and other resources to be announced.

Learning & Teaching Modes

No information currently available.

Workload

The information below is provided as a guide to assist students in engaging appropriately with the course requirements.

Workload - structured learning	Total hours
12 x 2 hour screenings	24
12 x 2 hour seminars	24
TOTAL	48
Workload - self-directed learning	Total hours
5 hours reading per week	60
2 hours research / lecture preparation per week	24
2 hours assignment preparation per week	24
TOTAL	108
GRAND TOTAL	156

Learning Activities Summary

Classes will comprise a mixture of screenings, mini-lectures, small group activities and writing workshops.
For the detailed work schedule, see the Course Booklet (available on MyUni to enrolled students).

Specific Course Requirements

Students are expected to read the texts set for the given weeks in advance and prepare their answers to any set questions, as required.

Small Group Discovery Experience

n/a

The 最新糖心Vlog's policy on Assessment for Coursework Programs is based on the following four principles:

Assessment must encourage and reinforce learning.
Assessment must enable robust and fair judgements about student performance.
Assessment practices must be fair and equitable to students and give them the opportunity to demonstrate what they have learned.
Assessment must maintain academic standards.

Assessment Summary

Assessment task	Task type	Weighting	Course Learning Outcomes
Research portfolio	Summative and formative	25%	1, 2, 3, 4
Mini research essay	Summative and formative	25%	1, 2, 3, 4
Major research essay	Formative	50%	1, 2, 3, 4

Due to the current COVID-19 situation modified arrangements have been made to assessments to facilitate remote learning and teaching. Assessment details provided here reflect recent updates.

There are no changes to the assessment arrangements. All essays and the research portfolio will be submitted online.
An online test will be available in Week 13 for students who have decided to complete an exam instead of an essay.

All responses to the weekly discussion board postings will count towards the final 10% of the final grade.

Assessment Related Requirements

n/a

Assessment Detail

Assessment	Description	Weighting
Research portfolio	Students will develop a portfolio of bibliographic material, images and stills, and critical analysis on 4 chosen films in the course (c. 1500 words)	25%
Mini research essay	Students will write a 1000-word essay on a specific topic in the course	25%
Major research essay	Students will write a 2000-word essay on a specific topic in the cours	50%

Submission

All assignments will be submitted electronically on or before the due date.

Course Grading

Grades for your performance in this course will be awarded in accordance with the following scheme:

M10 (Coursework Mark Scheme)
Grade	Mark	Description
FNS		Fail No Submission
F	1-49	Fail
P	50-64	Pass
C	65-74	Credit
D	75-84	Distinction
HD	85-100	High Distinction
CN		Continuing
NFE		No Formal Examination
RP		Result Pending

Further details of the grades/results can be obtained from Examinations.

Grade Descriptors are available which provide a general guide to the standard of work that is expected at each grade level. More information at Assessment for Coursework Programs.

Final results for this course will be made available through .

Student Feedback

The 最新糖心Vlog places a high priority on approaches to learning and teaching that enhance the student experience. Feedback is sought from students in a variety of ways including on-going engagement with staff, the use of online discussion boards and the use of Student Experience of Learning and Teaching (SELT) surveys as well as GOS surveys and Program reviews.

SELTs are an important source of information to inform individual teaching practice, decisions about teaching duties, and course and program curriculum design. They enable the 最新糖心Vlog to assess how effectively its learning environments and teaching practices facilitate student engagement and learning outcomes. Under the current SELT Policy (http://www.adelaide.edu.au/policies/101/) course SELTs are mandated and must be conducted at the conclusion of each term/semester/trimester for every course offering. Feedback on issues raised through course SELT surveys is made available to enrolled students through various resources (e.g. MyUni). In addition aggregated course SELT data is available.
Student Support
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Authorised by:	Deputy Vice-Chancellor and Vice-President (Academic)
Maintained by:	Course Outlines Administrator

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