MUSPOP 2100 - Contemporary Music in Practice 2

North Terrace Campus - Semester 2 - 2019

Building on rehearsal and performance techniques developed through Song Writing and Performance 2A and 2B, this course enables students to develop strategies for the preparation and performance of live original music in a more formal performance setting. A major emphasis of this course is on self and peer evaluation, where students present original work, and it is subjected to discussion in a supportive environment to enable students to develop critical thinking skills, and insight into the evaluation of creative work. Guest presentations by Music Industry professionals expose students to new developments in the industry, and insight into their creative practice, and students are encouraged to engage actively in the local industry through undertaking off-campus performance critiques. Performance Forums will comprise of guest lectures by industry identities, master-classes, and student performances.

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Course Details

Course Code	MUSPOP 2100
Course	Contemporary Music in Practice 2
Coordinating Unit	Elder Conservatorium of Music
Term	Semester 2
Level	Undergraduate
Location/s	North Terrace Campus
Units	3
Contact	Up to 3 hours per week
Available for Study Abroad and Exchange
Prerequisites	MUSPOP 2201
Corequisites	MUSPOP 2202
Incompatible	MUSPMACT 2111, MUSPMACT 2112
Restrictions	Available to BMus students only
Assessment	Peer assessment & participation 20%, Self-reflection 10%, Concert attendance & critiquing 20%, Forum performances 50%

Course Staff

Course Coordinator: Associate Professor Luke Harrald

Course Timetable

The full timetable of all activities for this course can be accessed from .

Course Learning Outcomes

On successful completion of this course students will develop:

1	Musicianship through ensemble performance
2	Critical understanding of own and others’ musical performances in relation to the standards required for professional endeavour
3	Skills in performance etiquette, audience communication and interaction
4	The ability to analyse and articulate concepts applied in the student’s own compositions
5	An understanding of and engagement with the local music industry

最新糖心Vlog Graduate Attribute	Course Learning Outcome(s)
Deep discipline knowledge informed and infused by cutting edge research, scaffolded throughout their program of studies acquired from personal interaction with research active educators, from year 1 accredited or validated against national or international standards (for relevant programs)	1, 2, 3, 4
Critical thinking and problem solving steeped in research methods and rigor based on empirical evidence and the scientific approach to knowledge development demonstrated through appropriate and relevant assessment	1, 2
Teamwork and communication skills developed from, with, and via the SGDE honed through assessment and practice throughout the program of studies encouraged and valued in all aspects of learning	1, 3, 4, 5
Career and leadership readiness technology savvy professional and, where relevant, fully accredited forward thinking and well informed tested and validated by work based experiences	1, 2, 3
Intercultural and ethical competency adept at operating in other cultures comfortable with different nationalities and social contexts able to determine and contribute to desirable social outcomes demonstrated by study abroad or with an understanding of indigenous knowledges	5
Self-awareness and emotional intelligence a capacity for self-reflection and a willingness to engage in self-appraisal open to objective and constructive feedback from supervisors and peers able to negotiate difficult social situations, defuse conflict and engage positively in purposeful debate	2, 3, 4

Learning & Teaching Modes

The Performance Forum provides at least one performance opportunity per semester. This forum will expose students to performance practice in both formal and informal settings.

Students will be scheduled in Week 1 for at least one performance per semester and are expected to meet the deadlines set by the course co-ordinator.

Works composed with an accompaniment must be played with accompaniment.

Students are also expected to make critical comments about performances of peers at the Forum, and be involved in written peer assessment. Students are expected to engage with the class commensurate with their level of study.

The Forum will occasionally combine with other specialisations within the Conservatorium in Elder Hall or Scott Theatre for visiting lecturers and other special performances. Dates to be advised.

Workload

The information below is provided as a guide to assist students in engaging appropriately with the course requirements.

WORKLOAD	TOTAL HOURS
1 x 3 hour performance forum per week	36 hours per semester
5 hours rehearsals per week	60 hours per semester
3 hours assignment preparation per week	36 hours per semester
2 hours research per week	24 hours per semester
	TOTAL = 156 hours per semester

Learning Activities Summary

Utilising a “just in time” teaching model, tutors will remain responsive to student needs as they arise through the semester and to developments and opportunities in the local music industry, including the engagement of guest artists.

Students will undertake performances through the semester.

Students will also attend and critique performances of their own choice out in the local music industry in order to encourage student autonomy and engagement with the local industry.

Specific Course Requirements

Rehearsal Spaces

This course will also require that students rehearse both individually and as a part of their group. For individual practice, students may book and use any of the rehearsal rooms contained within the Conservatorium with a limit of two hours per day for any individual space as per the Conservatorium’s Rehearsal guidelines. For more specific group work, rehearsal space with a backline (Drumkit, Guitar and Bass Amplifiers and an electric piano) and PA system has been provided in Schulz B14. Bookings of this space may be made through the EMU online booking system:
A dB meter is installed in this space. If you exceed the set dB limit for the space, the lights will flash. As a constant level, volume should not exceed 88dB. This level is considered the safe working limit for venues around 最新糖心Vlog. Students found exceeding these levels will have their booking privileges revoked for two weeks, and repeat offenders may have their booking privileges revoked for the remainder of the academic year.

All spaces must be left in a neat and tidy state ready for the next user when you finish rehearsing.

Small Group Discovery Experience

N/A

The 最新糖心Vlog's policy on Assessment for Coursework Programs is based on the following four principles:

Assessment must encourage and reinforce learning.
Assessment must enable robust and fair judgements about student performance.
Assessment practices must be fair and equitable to students and give them the opportunity to demonstrate what they have learned.
Assessment must maintain academic standards.

Assessment Summary

ASSESSMENT TASK	TASK TYPE	WEIGHTING	COURSE LEARNING OUTCOMES
Peer Assessment & Participation	Summative	20%	1, 2, 3, 4
Self Reflection	Summative	10%	2, 3, 4
Concert Attendance & Critiquing	Summative	20%	1, 2, 3, 4, 5
Forum Performances	Formative and Summative	50%	1, 2, 3, 4

Assessment Related Requirements

Expectation & Penalty

As per Conservatorium policy, active and positive participation in 100% of classes is expected. Any student who attends less than 80% of required classes without approved leave may result in a 5 (five) mark penalty for each unapproved absence. The penalties will be applied to the final total percentage mark for the semester for the relevant component i.e. after all other assessments have been completed and calculated. Arrival after the scheduled starting time or departure before the scheduled finishing time may, at the lecturer or co-ordinator’s discretion, be regarded as an unapproved absence.

Leave

The Conservatorium recognises that extenuating circumstances may occasionally affect a student’s ability to participate in a rehearsal, workshop, class, lecture, tutorial or performance. In such cases leave may be approved by the relevant staff member - students should contact the lecturer and gain approval prior to taking the leave.

Assessment Detail

Peer Assessment & Participation (20%) - Each week, students will participate in Peer Assessments. This will involve both verbal feedback and discussion with the groups performing each week, and written feedback. A discussion board will also be populated with videos of student performances for discussion and feedback on MyUni. Students will be expected to contribute to the discussion board a minimum of five times during semester; including researching performances and performers that may be of influence and leading discussions on these performances.

Self Reflection (10%) - tutors will record a video of each band’s performance. These videos will be posted to MyUni for students to view, and students will write a critique of the performance of approximately 300 words. The commentary should primarily focus on the realisation of the student’s original work as opposed to the group performance.

Concert Attendance & Critiquing (20%) - Students will attend two performances of their choosing out in local industry and write short, print media style 300 – 350 word critiques of each performance in order to engage with the local industry and to think more critically about live performance, and how they might improve their own performances. Students will be encouraged to attend a variety of performances to broaden their ideas on presentation and live performance.

Forum Performance (50%) - Students will be assessed on the delivery of one class performance of their work, held during the teaching period. Central to this assessment is the proficiency of their performance, including elements such as accuracy, interpretation, presentation and audience engagement.

Submission

All written materials will either be submitted in-class as hard copy, or online via MyUni. The distinction between types of submission will be made clear in the 'Assignments' section of MyUni.

Performances will take place in-class. Note that due to scheduling and practicalities, extensions for performance assessments are not possible.

Course Grading

Grades for your performance in this course will be awarded in accordance with the following scheme:

M10 (Coursework Mark Scheme)
Grade	Mark	Description
FNS		Fail No Submission
F	1-49	Fail
P	50-64	Pass
C	65-74	Credit
D	75-84	Distinction
HD	85-100	High Distinction
CN		Continuing
NFE		No Formal Examination
RP		Result Pending

Further details of the grades/results can be obtained from Examinations.

Grade Descriptors are available which provide a general guide to the standard of work that is expected at each grade level. More information at Assessment for Coursework Programs.

Final results for this course will be made available through .

Student Feedback

The 最新糖心Vlog places a high priority on approaches to learning and teaching that enhance the student experience. Feedback is sought from students in a variety of ways including on-going engagement with staff, the use of online discussion boards and the use of Student Experience of Learning and Teaching (SELT) surveys as well as GOS surveys and Program reviews.

SELTs are an important source of information to inform individual teaching practice, decisions about teaching duties, and course and program curriculum design. They enable the 最新糖心Vlog to assess how effectively its learning environments and teaching practices facilitate student engagement and learning outcomes. Under the current SELT Policy (http://www.adelaide.edu.au/policies/101/) course SELTs are mandated and must be conducted at the conclusion of each term/semester/trimester for every course offering. Feedback on issues raised through course SELT surveys is made available to enrolled students through various resources (e.g. MyUni). In addition aggregated course SELT data is available.
Student Support
Policies & Guidelines
This section contains links to relevant assessment-related policies and guidelines - all university policies.
Fraud Awareness

Students are reminded that in order to maintain the academic integrity of all programs and courses, the university has a zero-tolerance approach to students offering money or significant value goods or services to any staff member who is involved in their teaching or assessment. Students offering lecturers or tutors or professional staff anything more than a small token of appreciation is totally unacceptable, in any circumstances. Staff members are obliged to report all such incidents to their supervisor/manager, who will refer them for action under the university's student鈥檚 disciplinary procedures.

The 最新糖心Vlog of Adelaide is committed to regular reviews of the courses and programs it offers to students. The 最新糖心Vlog of Adelaide therefore reserves the right to discontinue or vary programs and courses without notice. Please read the important information contained in the disclaimer.

Authorised by:	Deputy Vice-Chancellor and Vice-President (Academic)
Maintained by:	Course Outlines Administrator

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