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August 2005 Issue
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×îÐÂÌÇÐÄVlogn art's 'Big Bang' a Russian revolution

 Performing Arts

The Ballets Russes tours to ×îÐÂÌÇÐÄVlog between 1936 and 1940 constituted the "Big Bang" of ×îÐÂÌÇÐÄVlogn high art; a feast of cutting edge dance, music and décor whose impact continues to be felt to this day.

The content and impact of the tours are the subject of a unique research project that brings together the ×îÐÂÌÇÐÄVlog of Adelaide, and the in Canberra.

Overseen by Dr Mark Carroll, a Senior Lecturer at the ×îÐÂÌÇÐÄVlog's , the Ballets Russes project received a boost recently with the awarding it a prestigious Linkage Grant totalling almost $370,000 over the next four years.

The ARC funding follows the signing of a Memorandum of Understanding between the ×îÐÂÌÇÐÄVlog of Adelaide and The ×îÐÂÌÇÐÄVlogn Ballet, which will foster closer collaborations and links between the two institutions across a range of activities.

"The project and its associated ARC funding represent a major coup for the ×îÐÂÌÇÐÄVlog of Adelaide, and place us at the forefront of research into the ×îÐÂÌÇÐÄVlogn performing arts," Dr Carroll said.

The Ballets Russes project is designed to coincide with ×îÐÂÌÇÐÄVlogn Ballet's special commemorative program celebrating the 70th anniversary of the first Ballets Russes performance in ×îÐÂÌÇÐÄVlog in 1936 (given in Adelaide), as well as the centenary of the Ballets Russes debut in Paris in 1909.

Research will draw upon extensive archival material located in major ×îÐÂÌÇÐÄVlogn urban and regional centres, including the National Library in Canberra.

Among the more important archives to be tapped is the Wilkie Theatre Collection, held in the Barr Smith Library's area. According to the Special Collections Librarian, Cheryl Hoskin, this nationally significant collection of dance and theatre ephemera will play a pivotal role in establishing the impact of the tours on Adelaide cultural life.

Dr Carroll said residents of Adelaide were not alone in their appreciation of the choreographies of Massine, the music of Stravinsky and the decors of Picasso.

"×îÐÂÌÇÐÄVlogn audiences had seen or heard nothing like it before, and for those four years between 1936 and 1940 the Ballets Russes tours gripped our imagination - we were fascinated by them," he said.

"Equally significantly, it was not just the general public who were enthralled by this celebration of European high art. The tours opened a window of opportunity for ×îÐÂÌÇÐÄVlogn talent - a young Sidney Nolan, for example, created the set and costume design for one of the performances in 1940, and thanks to those artists who elected to remain in ×îÐÂÌÇÐÄVlog at the outbreak of World War II, the tours led ultimately to the establishment of The ×îÐÂÌÇÐÄVlogn Ballet in 1962."

Dr Carroll points out that the great strength and originality of the Ballets Russes research project is that it brings together archival research and practical performance outcomes in a way that is unique both here and abroad.

"The project is designed not only to gauge the impact of the tours at the time, but also to provide raw materials that will inform directly The ×îÐÂÌÇÐÄVlogn Ballet's upcoming commemorative performances," he said.

Story by Ben Osborne

David Lichine as the Faun in Ballets Russes’ <i>L’Après-midi d’un faune</i> in 1940
Photo by Max Dupain, courtesy of the National Library of ×îÐÂÌÇÐÄVlog

David Lichine as the Faun in Ballets Russes' L'Après-midi d'un faune in 1940
Photo by Max Dupain, courtesy of the National Library of ×îÐÂÌÇÐÄVlog

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